Rococo: Travel, Pleasure, Madness
External Rating25%
201460 dkSona Erdi

Rococo: Travel, Pleasure, Madness

Kanal:BBC Four

Önceki Bölüm

S01E03 - "Madness"

Yayinlandi: Feb 4, 2014, 9:00 PM

Sonraki Bölüm

Dizi Sona Erdi

Açıklama

Following the grandeur of Baroque, Rococo art is often dismissed as frivolous and unserious, but Waldemar Januszczak disagrees. In this three-part series he re-examines Rococo art and argues that the Rococo was actually the age in which the modern world was born. Picking three key territories of Rococo achievement - travel, pleasure and madness - Waldemar celebrates the finest cultural achievements of the period and examine the drives and underlying meanings that make them so prescient.

Detaylar

Durum
Sona Erdi
Dil
English
Süre
60 min
İlk Yayin
January 21, 2014
Final
February 4, 2014
Yayin Programi
Tuesday saat 21:00

Harici Bağlantılar

Bölümler (1 Sezon · 3 Bölüm)

Travel

The first episode is about travel in the 18th century and how it impacted greatly on some of the finest art ever made. The world was getting smaller and took on new influences shown in the glorious Bavarian pilgrimage architecture, Canaletto's romantic Venice and the blossoming of exotic designs and tastes all over Europe. The Rococo was art expressing itself in new, exciting ways.

Jan 21, 2014

60 dk

Pleasure

Waldemar looks at the pursuit of pleasure in the Rococo age, to which a huge amount of cultural energy was devoted. For the first time in history, pleasure and happiness were seen as unalienable human rights that everyone was free to pursue and is reflected so poignantly in the art of Boucher, Watteau, Gainsborough and Tiepolo. In its boundless search for delight it often went too far, but, put crudely, Rococo art stopped tasting like medicine and started tasting like cakes.

Jan 28, 2014

60 dk

Madness

The final episode focuses on the Rococo's descent into madness. When you spend as much time as the Rococo did having fun and escaping reality, madness soon sets in. The 18th century is seen as the era of frivolity and enjoyment, but in an age of such decadence there was also the brutish satire of Hogarth, the mysterious masked figures of Longhi, the anguish of Messerschmidt and the depths of Goya's macabre genius.

Feb 4, 2014

60 dk

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